![]() ![]() ![]() So I wasn't the least bit surprized when he did get picked. From the very first test Snow White held, it was clear (to me) who she would pick at the end. What I disliked: the direction of the story was too predictable. And I loved reading about how the princes went about proving they were capable of these things, even though most were either lying or exaggerating their story a great deal. I loved the idea of Annie helping her friend Snow White find a husband through tests of compassion, honesty, bravery, and other traits Snow White desired in a husband. But after that, I enjoyed the books very, very, much. I read all the books far apart, so in each book, I had a bit of trouble at the beginning getting used to the characters and plot. As the last book in the series, I expected something amazing from this book, and I wasn't disappointed at all. ![]()
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![]() ![]() ![]() O’Brien’s Crime in Verse takes up this approach to Victorian murder, offering an original focus on the ways that poetry participates in, and unsettles, social concerns about classed responses to crime, legal and medical theories of criminality and responsibility, and anxieties about gender and crime in the domestic sphere. Over the last several years, however, the emphasis of Victorian crime studies has shifted away from considerations of the monolithic operations of power to a more carefully historicized interest in the complex negotiations between subjects, the state, and modes of representation. ![]() Until recently, such work was indebted largely to the theoretical work of Michel Foucault, particularly to insights developed in Discipline and Punish (1975). Over the last twenty-five years studies of crime, punishment, and social discipline have occupied a central position in scholarship of the Victorian era. ![]() ![]() ![]() ![]() The trilogy shares some similarities with Robinson's more recent novel 2312 (2012) for instance, the terraforming of Mars and the extreme longevity of the characters in both novels. Icehenge (1984), Robinson's first novel about Mars, is not set in this universe but deals with similar themes and plot elements. ![]() Blue Mars also won the Hugo and Locus Awards in 1997. Green Mars won the Hugo Award for Best Novel and Locus Award for Best Science Fiction Novel in 1994. Red Mars won the BSFA Award in 1992 and Nebula Award for Best Novel in 1993. The Martians (1999) is a collection of short stories set in the same fictional universe. The three novels are Red Mars (1992), Green Mars (1993), and Blue Mars (1996). Ultimately more utopian than dystopian, the story focuses on egalitarian, sociological, and scientific advances made on Mars, while Earth suffers from overpopulation and ecological disaster. ![]() The Mars trilogy is a series of science fiction novels by Kim Stanley Robinson that chronicles the settlement and terraforming of the planet Mars through the personal and detailed viewpoints of a wide variety of characters spanning almost two centuries. Covers of the Mars trilogy by Harper Voyager 2009 (UK) ![]() ![]() a world where the horror of climate change has been realised but despite the despair, the hope of humanity lives on." - Victoria Dilly, The Book Activist "This vivid world and courageous heroine will enthral readers and is ideal for book clubs." - Zoe James-Williams, Drawing On Books "Letta is a fantastic protagonist. Steadfast, strong and unwaveringly resilient, she is the driving force behind why this series is becoming so revered." - Scott Evans, The Reader Teacher "Mother Tongue, and predecessor The Wordsmith, are both brilliantly devised stories." - Caroline Fielding, The Teen Librarian "Totally enthralling. Praise for Mother Tongue: " books always take my breath away." - Mary, Fallen Star Stories "For Letta is one of the best heroines. When Letta makes a horrifying discovery, she has to find a way to save the children of Ark - even if it is at the cost of her own life. Now there are rumours that babies are going missing. Out in the woods, she and the rebels secretly teach children language, music and art. But Letta is the wordsmith, tasked with keeping words alive. The new dictator of Ark wants to silence speech for ever. ![]() ![]() Independent Bookshop Editions and Autographed BooksĪfter global warming came the Melting. ![]() ![]() ![]() ![]() “I’m like, ‘I can’t believe she just wrote that.'” “I read it through lunch breaks and I’m giggling,” said Laura Vargas, 31, an executive assistant at a large insurance company. The books have been called “mommy porn” for their sexual content and large, mostly female following, though men are signing up for autographs as well. In a few short months, James has snagged a seven-figure contract with Vintage Books, and Universal Pictures and Focus Films have purchased the rights to all three books in the trilogy about an unworldly college student who begins an unusual romantic relationship with a wealthy young businessman. STORY: ‘Fifty Shades of Grey’ Film Adaptation Faces Challenge From ‘Control-Freak’ Author “E L struck a nerve, and her storytelling speaks to so many people.” “This is a literary phenomenon,” said Mitchell Kaplan, owner of Books & Books, the independent bookstore where James was signing copies. ![]() ![]() ![]() Volume 1 has minor queer female characters and references a supporting black trans woman character who first appears in the second volume. The bulk of the series is illustrated by Valentine De Landro, with special character-centric issues illustrated by Robert Wilson IV and Taki Soma. ![]() ![]() One woman, Kamau Kogo, arrives on Bitch Planet in search of her sister, but to find her, she’ll have to play the administration’s games. In a dystopian near future, women who are deemed “non-compliant”-whether for being too loud, too old, too fat, too brown, or, in some cases, for committing murder-are sent to the Auxiliary Compliance Outpost, an off-planet detention center known colloquially as Bitch Planet. ![]() ![]() Rohith Vemula, who lit a flame that made my silence impossible. ![]() For My mother, who taught me that I could do anything I wanted and helped me live it, often at a great personal cost. ![]() Printed and bound in India by This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published. ISBN: 978-93-8 1 3 5 7 9 10 8 6 4 2 For sale in the Indian subcontinent only. No part of this publication may be reproduced, transmitted, or stored in a retrieval system, in any form or by any means, without permission in writing from Aleph Book Company. ![]() ![]() The views and opinions expressed in this book are the author’s own and the facts are as reported by her, which have been verified to the extent possible, and the publishers are not in any way liable for the same. The author has asserted her moral rights. ALEPH BOOK COMPANY An independent publishing firm promoted by Rupa Publications India First published in India in 2019 by Aleph Book Company 7/16 Ansari Road, Daryaganj New Delhi 110 002 Copyright © Yashica Dutt 2019 All rights reserved. ![]() ![]() Paul Fussell, literary scholar and essayist, dies at 88. Fussell a large following among readers who would never have touched his books on 18th-century poetry or the literary development of Samuel Johnson. It was a daringly original interpretation of cultural history, and it brought Mr. He described an “essentially ironic” sensibility that emerged from the war and colored people’s thinking for the rest of the 20th century. Fussell (rhymes with “muscle”) wrote of how World War I caused a prevailing disillusionment in society, expressed through poetry, journalism and art. ![]() Fussell had been a formidable scholar of 18th-century British literature, having written several books on the subject before he struck a popular chord in 1975 with “ The Great War and Modern Memory,” which won the National Book Award and National Book Critics Circle Award. He was 88.Ī stepson, Cole Behringer, confirmed the death but did not know the cause. Paul Fussell, a literary scholar and essayist who bridged the gap between academia and popular culture with his trenchant studies of the cultural effects of war, travel and social class, died May 23 at a long-term care facility in Medford, Ore., where he had lived for the past two years. ![]() ![]() ![]() Telgemeier frames the girl's panic attacks accessibly as sickly circles of green crowded with big, blocky words ("pain drowning choking death bad at math"). This anxiety blights her school days (she freezes during a class presentation with her best friend and lashes out at a bullying schoolmate) and extends into fears about sickness and schoolwork, and frustrations with her raucous household. ![]() ![]() A bout of stomach flu and some unpleasant encounters with food create in young Raina's mind a swirling miasma of fear that she'll throw up. With disarming candor and in her now instantly recognizable panel artwork, Eisner Award-winner Telgemeier weaves a tangle of personal preadolescent traumas into another compelling graphic memoir. By Grade + Interest - K to 1st By Grade + Interest - 2nd to 3rd By Grade + Interest - 4th to 5th ![]() ![]() ![]() A coming-of-age story with a delightful twist. The pace is fast, the story more than credible and the characters appealing. While the subject matter is lifted from comic books, this is a solid read. the good guys or the bad guys? This first in a trilogy promises to be a terrific ride for young readers, especially boys. If they have super powers, who will they turn out to be. ![]() Kidnapped, on the run in a strange country, not knowing who is friend or foe, not able to rely on their new powers that come and go, Colin and Danny must decide. Their parents haven’t been telling them everything, and when confronted, they have to share some truths that aren’t all that pleasant. Now, two young teenagers in England suspect they may also have superpowers, which makes them targets for unknown military forces. Then, a mere decade ago, they all suddenly disappeared without explanation. ![]() Imagine a world where superheroes and supervillains really existed, and everyone knew it. ![]() |